Lauren Molina and Nick Cearley spend about half their working life in their underwear. Wait, let me qualify that statement in case Jim Jordan is a loyal reader of this paper: Lauren Molina and Nick Cearley spend 100% of their working life in their underwear, and about half of that in only their underwear.
Ms. Molina, is that an accurate characterization of your underwear-wearing?
“I’d say its pretty much 50/50.”
The Bay Area Reporter recently heard testimony from Molina and Cearley—collectively known as the Skivvies—about their subversive activities, including “Touch My Elf”, a one-night only concert of holiday and pop song mashups at Feinstein’s at the Nikko on Monday, December 2.
Double agents, the pair simultaneously pursue civilian and Skivvilian lives, balancing legitimate theatrical careers alongside their subversively humorous cabaret act, a blend of seduction and diversion in song, prance and chatty patter. The Skivvies’ arsenal includes glockenspiel, melodica and xyolophone. Their optics: Boobies and bulges. The laughter: Explosive.
“We’ll definitely bring in plenty of current events,” leaked Molina of plans for their latest barrage of undie-clad misbehavior. At Feinstein’s, they’ll conspire with Broadway hunk Nick Adams (recently seen locally as Whizzer in the national tour of “Falsettos”), whose personal Javelin will be barely concealed. Lauren Zakrin, currently performing in “Harry Potter and the Cursed Child” at the Curran Theater, will provide further auxiliary power.
BREAKING NEWS: A gag order has been placed on running jokes for the remainder of these proceedings.
Molina and Cearley, regulars on New York and regional musical theater stages, have been friends since 2004, but took on their Skivvies alter egos seven years ago when, during an impromptu jam at Molina’s apartment, they decided to put a performance of Rihanna’s “I Found Love” up on YouTube.
“I’d been hanging around in my bra,” recalls Molina, and I asked Nick what he thought we should wear. “And we decided to take off most of our clothes and do a series of what we called ‘stripped down’ cover songs. ”
Performing nearly naked, acknowledges Cearley, “is the oldest gimmick in the book” when it comes to grabbing attention. But the Skivvies’ ability to hold that attention for seven years is due more to their appeal to a fanbase of what he calls “smart music nerds.” Their clever medlies of songs with shared themes—such as S&Mashup which excerpts the likes of “Beat It” and “Hit Me With Your Best Shot.” And their delightfully juvenile instrumentation and arrangements is not only infectious—its been blatantly cribbed by Jimmy Fallon for his “Classroom Instruments” segments on the “Tonight Show.”
“The Skivvies really ends up being more about a loose, silly state-of-mind than the fact that we’re in our underwear,” says Molina. “When audiences respond to our humor, I feel like, ‘Wow! These are our people.’ And for the actors who are our guest performers, the Skivvies is an opportunity to perform in a warm experimental environment where there’s freedom to be playful in a way you can’t when you’re in a Broadway show.”
The duo recently extended their creative partnership beyond the Skivvies, conceiving and co-starring in an actor-musician version of You’re A Good Man, Charlie Brown—inspired by Molina’s cello-playing turn in the John Doyle-directed Broadway production of “Sweeney Todd”— which debuted to praiseful reviews this spring at the Cincinnati Playhouse (They played Linus and Lucy).
“As an actor,” says Molina, “You’re generally at the mercy of someone giving you a job and giving you a lot of direction on how to do it. As the Skivvies, we run our own show.”
